Portfolio > Shotgun

photograph of woman drapery dress chandelier interior house New Orleans by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman dress bathtub hands drapery interior bathroom by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman dress kitchen bright colours scared domestic by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman dress kitchen bright colours scared domestic by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman gold red clothing faceless figure house New Orleans by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman gold red clothing faceless figure house New Orleans by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman feet fetishlegs drapery cloth lamp mirror house interior by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman veiled shroud trembling afraid interior by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman pink drapery cross jesus crucifix hallway interior New Orleans by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman pink drapery cross jesus crucifix hallway interior New Orleans by Robyn LeRoy-Evans
archival pigment print
2014
photograph of rocking chair door blinds woman clothing by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman surreal bathtub voyeur bathroom drapery night by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman erotic night interior body by Robyn LeRoy-Evans
archival pigment print
2014
photograph of woman body dress interior house escape by Robyn LeRoy-Evans
archival pigment print
2014

For the series Shotgun - named after the typical New Orleans style house in which it was made - the viewer follows a faceless figure through various rooms. The figure's colourful garments mirror the colours of the interior space, but also the city outside - New Orleans is known for its brightly-painted historic houses.

In contrast to this vibrancy, the images also suggest an underlying darkness; a woman's domestic dissatisfaction, perhaps. As the figure moves through the house we watch her struggle against something; whilst interacting with the objects and spaces around her, she moves awkwardly and unusually, always keeping herself unidentifiable.