Robyn LeRoy-Evans
  • Home
  • Artwork
    • That Which We Can Never Know
    • The Crystal Efemmes
      • The Fall
      • The Red Womb
      • Tree of Knowledge
      • FF3: The Dark Grotto
      • FF4: The Sunlit Garden
      • Visionary Bring(h)ers, Future Tell(h)ers
    • HEAVY SHINE
      • ARTWORKS
      • EXHIBITIONS
        • NEW ORLEANS
        • L.A.
    • Labor of Love
    • Masks
    • A Growing Dance
      • Photographs
      • Installation
    • ARIM
    • The Red Woman
    • Woman Falls...
    • Guts & Vigor
    • Fronlas in August
    • Unsinkable Is She
    • Birthday
    • RUD
    • Body Sculpture II
    • Shotgun
    • PROJECTS
      • Form(ed)
        • Toronto, 2017
        • London
        • Toronto
      • God's Bridge
      • Vessels
        • Coveted
        • Longed For
        • Tip
    • ARCHIVE
      • Other Animals
      • Favourite Things
      • Ninfarium
      • And we ate blood oranges
      • Studio Fronlas
      • Works
      • Room 2, Hôtel Caulaincourt, Paris
      • Sunder
      • Home
      • Black & White Compositions
      • The Restless Image Bank Street Arts 6th-10th November 2012
      • Drawings
        • Rouged and Ready
        • Wanting
      • An Afternoon with Anthony D'Offay
      • Sisters
      • Object/Cloth
        • Arrangements
        • Interventions
      • Untouched
      • The Bruise
      • 28 Days
        • Clay
        • Drawings
        • Wine
  • News
  • About
  • CV
  • Contact
  • Links
  • Subscribe
  • Shop
Robyn LeRoy-Evans
  • Home
  • Artwork
    • That Which We Can Never Know
    • The Crystal Efemmes
      • The Fall
      • The Red Womb
      • Tree of Knowledge
      • FF3: The Dark Grotto
      • FF4: The Sunlit Garden
      • Visionary Bring(h)ers, Future Tell(h)ers
    • HEAVY SHINE
      • ARTWORKS
      • EXHIBITIONS
        • NEW ORLEANS
        • L.A.
    • Labor of Love
    • Masks
    • A Growing Dance
      • Photographs
      • Installation
    • ARIM
    • The Red Woman
    • Woman Falls...
    • Guts & Vigor
    • Fronlas in August
    • Unsinkable Is She
    • Birthday
    • RUD
    • Body Sculpture II
    • Shotgun
    • PROJECTS
      • Form(ed)
        • Toronto, 2017
        • London
        • Toronto
      • God's Bridge
      • Vessels
        • Coveted
        • Longed For
        • Tip
    • ARCHIVE
      • Other Animals
      • Favourite Things
      • Ninfarium
      • And we ate blood oranges
      • Studio Fronlas
      • Works
      • Room 2, Hôtel Caulaincourt, Paris
      • Sunder
      • Home
      • Black & White Compositions
      • The Restless Image Bank Street Arts 6th-10th November 2012
      • Drawings
        • Rouged and Ready
        • Wanting
      • An Afternoon with Anthony D'Offay
      • Sisters
      • Object/Cloth
        • Arrangements
        • Interventions
      • Untouched
      • The Bruise
      • 28 Days
        • Clay
        • Drawings
        • Wine
  • News
  • About
  • CV
  • Contact
  • Links
  • Subscribe
  • Shop
© ROBYN LEROY-EVANS
Website by OtherPeoplesPixels
  • SHOP

    SHOP

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  • THE CRYSTAL EFEMMES

    THE CRYSTAL EFEMMES

    The Crystal Efemmes are a quartet of interdisciplinary artists concerned with revisionist histories and feminist agendas.

    Comprised of visual artists Vanessa Centeno, Robyn LeRoy-Evans, Cristina Molina, and Ryn Wilson, The Crystal Efemmes alliance formed in 2014 after learning their individual artworks shared themes of intersectional feminism, mysticism, body politics, and concerns with the environment. As a collective they create immersive installations that concentrate on retelling myths and histories from a perspective that empowers and honors women. Together and as individuals they have been awarded national and international residencies including the Joan Mitchell Foundation Residency, SALON Arts Council Residency, 'ACE residency Buenos Aires, and AIRIE Everglades. Their works have been exhibited at the New Orleans Museum of Art, The Contemporary Art Center New Orleans, Newcomb Museum, Syros International Film Festival, Kunsthall Stavanger in Norway, and Digital Interactive Artspace in Denmark.

  • HEAVY SHINE

    HEAVY SHINE

    HEAVY SHINE emerges from an ongoing collaboration between Toronto-based ceramic artist Dianne Lee and New Orleans-based visual artist Robyn LeRoy-Evans. Friends for almost 13 years, Dianne and Robyn have delighted in combining their practices, continuing to challenge and inspire each other through their individual materials, styles, approaches.

  • SPILT MILK

    SPILT MILK

    Since 2018 I have been an Artist Member of Spilt Milk. Spilt Milk is an artist-led social enterprise based in Scotland whose mission is to promote the work of artists who are mothers.

  • THE FRONT

    THE FRONT

    Since 2016 I have been an active member of The Front, an artist-run exhibition space in New Orleans.

© ROBYN LEROY-EVANS
Website by OtherPeoplesPixels